Distinct contributions of alpha and theta rhythms to perceptual and attentional sampling
Résumé
Accumulating evidence suggests that visual perception operates in an oscillatory
fashion at an alpha frequency (around 10Hz). Moreover, visual attention also seems
to operate rhythmically, albeit at a theta frequency (around 5 Hz). Both rhythms
are often associated to "perceptual snapshots" taken at the favorable phases of these
rhythms. However, less is known about the unfavorable phases: do they constitute
"blind gaps," requiring the observer to guess, or is information sampled with re-
duced precision insufficient for the task demands? As simple detection or discrimi-
nation tasks cannot distinguish these options, we applied a continuous report task by
asking for the exact orientation of a Landolt ring's gap to estimate separate model
parameters for precision and the amount of guessing. We embedded this task in a
well- established psychophysical protocol by densely sampling such reports across 20
cue- target stimulus onset asynchronies in a Posner- like cueing paradigm manipulat-
ing involuntary spatial attention. Testing the resulting time courses of the guessing
and precision parameters for rhythmicities using a fast Fourier transform, we found
an alpha rhythm (9.6Hz) in precision for invalidly cued trials and a theta rhythm
(4.8Hz) in the guess rate across validity conditions. These results suggest distinct
roles of the perceptual alpha and the attentional theta rhythm. We speculate that both
rhythms result in environmental sampling characterized by fluctuating spatial reso-
lution, speaking against a strict succession of blind gaps and perceptual snapshots.
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